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Der dafür stehende Diskurs der Postmoderne hat auch die Identitätstheorie erreicht. In ihm wird ein radikaler Bruch mit allen Vorstellungen von der Möglichkeit einer stabilen und gesicherten Identität vollzogen.
Aus soziologischer Sicht hat Anthony Giddens , S. Im Entwicklungsgeschehen zwischen Kindheit und Zukunft wird deren innere Kohärenz durch die jeweilige Lebensspanne erzeugt.
Was denke ich? Was tue ich? Was fühle ich? Identitätsarbeit und Identitätskonstruktion Identität ist als konzeptioneller Rahmen zu verstehen, innerhalb dessen eine Person ihre Erfahrungen interpretiert und die jeweils die Basis bildet für die alltägliche Identitätsarbeit.
Identitätsarbeit zielt darauf, ein individuell gewünschtes oder notwendiges "Gefühl von Identität" zu erzeugen.
Voraussetzungen für dieses Gefühl sind soziale Anerkennung und Zugehörigkeit. Vor dem Hintergrund von Pluralisierungs-, Individualisierungs- und Entstandardisierungsprozessen ist das Inventar übernehmbarer Identitätsmuster ausgezehrt.
Alltägliche Identitätsarbeit hat die Aufgabe, die Passungen, die Verknüpfungen unterschiedlicher Teilidentitäten vorzunehmen. Qualität und Ergebnis dieser Arbeit findet in einem machtbestimmten Raum statt, der schon immer aus dem Potential möglicher Identitätsentwürfe spezifische erschwert bzw.
Qualität und Ergebnis der Identitätsarbeit hängen von den Ressourcen einer Person ab, von individuell-biographisch begründeten Kompetenzen über die kommunikativ vermittelten Netzwerkressourcen Soziale Netzwerke bis hin zu gesellschaftlich-institutionell vermittelten Ideologien und Strukturvorgaben.
Die Konstruktion der individuellen Identität wird von Bedürfnissen geleitet, die aus der persönlichen und gesellschaftlichen Lebenssituation gespeist sind.
Insofern konstruieren sich Subjekte ihre Identität nicht in beliebiger und jederzeit revidierbaren Weise, sondern versuchen sich in einem "Gefühl von Identität" in ein "imaginäres Verhältnis zu ihren wirklichen Lebensbedingungen" zu setzen Althusser.
Beim Herstellen dieser Identitätskonstruktionen werden zumindest "Normalformtypisierungen" benötigt Identifikationen , Normalitätshülsen oder Symbolisierungen von alternativen Optionen, Möglichkeitsräumen oder Utopien.
Der Identitätsbegriff vermittelt in spezifischer Verwendungsweise — zumindest unausgesprochen — den normativen Sollzustand "gelungenen Lebens".
Gerade diese Konnotation hat ihn zugleich zum Gegenstand heftiger Kritik gemacht. Stefan Slupetzky.
Henry Roth. Antoine Laurain. Georg Auernheimer. Ralf Schöppner. Alfred Büngen. Benedikt Poetsch.
Pia Deutsch. Alexandra von Ilsemann. Kirstin Lenzen. Martin Rackwitz. Bettina Brandstetter. Birgit Brand. Michael Ermann. Anna Christiane Seebens.
Gerald Flicker. Lehnwörter aus dem Etruskischen. Verflixt und zugenäht! Herkunft und Funktion des Ausrufezeichens.
Vorvergangenheit in der indirekten Rede. Wann kann der Bindestrich gebraucht werden? Was ist ein Twitter-Roman?
Anglizismus des Jahres. Wort und Unwort des Jahres in Deutschland. Wort und Unwort des Jahres in Liechtenstein. Wort und Unwort des Jahres in Österreich.
Wort und Unwort des Jahres in der Schweiz. Das Dudenkorpus. Das Wort des Tages. Leichte-Sprache-Preis
As Batman says: "Like any other comedian, he uses whatever material will work. A number of alternate universes in DC Comics publications allow writers to introduce variations on the Joker, in which the character's origins, behavior, and morality differ from the mainstream setting.
Renowned as Batman's greatest enemy,     the Joker is known by a number of nicknames, including the Clown Prince of Crime, the Harlequin of Hate, the Ace of Knaves, and the Jester of Genocide.
The original, dominant image is that of an extreme psychopath ,  with genius-level intelligence and a warped, sadistic sense of humor.
This appearance is such a fundamental aspect of the character that when the animated series The Batman placed the Joker in a straitjacket, it quickly redesigned him in his familiar suit.
The Joker is obsessed with Batman, the pair representing a yin-yang of opposing dark and light force; although it is the Joker who represents humor and color and Batman who dwells in the dark.
Spectacle is more important than success for the Joker, and if it is not spectacular it is boring. Despite this body count, he is always found not guilty by reason of insanity and sent to Arkham Asylum, avoiding the death penalty.
The villain displays no instinct for self-preservation, and is willing to die to prove his point. The Joker's main characteristic is his apparent insanity, although he is not described as having any particular psychological disorder.
Like a psychopath, he lacks empathy, a conscience, and concern over right and wrong. In Arkham Asylum: A Serious House on Serious Earth , the Joker is described as capable of processing outside sensory information only by adapting to it.
This enables him to create a new personality every day depending on what would benefit him and explains why, at different times, he is a mischievous clown or a psychopathic killer.
The Killing Joke in which the Joker is the unreliable narrator explains the roots of his insanity as "one bad day": losing his wife and unborn child and being disfigured by chemicals, paralleling Batman's origin in the loss of his parents.
He tries and fails to prove that anyone can become like him after one bad day by torturing Commissioner Gordon, physically and psychologically.
Englehart's "The Laughing Fish" demonstrates the character's illogical nature: trying to copyright fish that bear his face, and not understanding why threatening the copyright clerk cannot produce the desired result.
The Joker is alternatively depicted as sexual and asexual. Frank Miller interpreted the character as fixated on death and uninterested in sexual relationships, while Robinson believed that the Joker is capable of a romantic relationship.
Harley loves him, but the Joker does not reciprocate her feelings, chiding her for distracting him from other plans.
Snyder's "Death of the Family" describes the Joker as in love with Batman, although not in a traditionally romantic way. The Joker believes that Batman has not killed him because he makes Batman better and he loves the villain for that.
The Joker is often depicted as defining his existence through his conflict with Batman. In 's "Going Sane", the villain tries to lead a normal life after Batman's apparent death, only to become his old self again when Batman reappears; in "Emperor Joker", an apparently omnipotent Joker cannot destroy Batman without undoing himself.
Since the Joker is simply "the Joker", he believes that Batman is "Batman" with or without the costume and has no interest in what is behind Batman's mask, ignoring opportunities to learn Batman's secret identity.
The Joker is portrayed as having no fear; when fellow supervillain Scarecrow doses him with fear toxin in Knightfall , the Joker merely laughs and says "Boo!
At these moments, the Joker is depicted as expressing remorse for his acts;   however, during a medically induced period of partial sanity in Batman: Cacophony he tells his opponent, "I don't hate you 'cause I'm crazy.
I'm crazy 'cause I hate you," and confirms that he will only stop murdering when Batman is dead. The Joker has no inherent superhuman abilities.
The flower in his lapel sprays acid, and his hand often holds a lethal joy buzzer conducting a million volts of electricity, although both items were introduced in as harmless joke items.
The Joker has used venom since his debut; only he knows the formula, and is shown to be gifted enough to manufacture the toxin from ordinary household chemicals.
Another version of the venom used in Joker: Last Laugh makes its victims resemble the Joker, susceptible to his orders.
The character's arsenal is inspired by his nemesis' weaponry, such as batarangs. In "The Joker's Utility Belt" , he mimicked Batman's utility belt with non-lethal items, such as Mexican jumping beans and sneezing powder.
His technical genius is not limited by practicality, allowing him to hijack Gotham's television airwaves to issue threats, transform buildings into death traps, launch a gas attack on the city and rain poisoned glass shards on its citizens from an airship.
The Joker is portrayed as skilled in melee combat, from his initial appearances when he defeats Batman in a sword fight nearly killing him , and others when he overwhelms Batman but declines to kill him.
The Joker's unpredictable, homicidal nature makes him one of the most feared supervillains in the DC Universe; the Trickster says in the miniseries Underworld Unleashed , "When super-villains want to scare each other, they tell Joker stories.
He has collaborated with criminals like the Penguin , the Riddler and Two-Face , although these partnerships rarely end well due to the Joker's desire for unbridled chaos, and he uses his stature to lead others such as Killer Croc and the Scarecrow.
Although they have a friendly partnership in 's World's Finest Comics 88, later unions emphasized their mutual hostility and clashing egos.
Despite his tendency to kill subordinates on a whim, the Joker has no difficulty attracting henchmen with a seemingly infinite cash supply and intimidation: they are too afraid of their employer to refuse his demands that they wear red clown noses or laugh at macabre jokes.
Although Quinn loves the Joker, he is obsessed with Batman and uses her to achieve his goals at her expense. Despite violent abuse, she returns to him.
Although his chief obsession is Batman, the character has occasionally ventured outside Gotham City to fight Batman's superhero allies.
The story is notable for the Joker taking on a relative god and the ease with which Superman defeats him—it took only 17 pages. Asked why he came to Metropolis, the Joker replies simply: "Oh Superman, why not?
Since the Bronze Age of Comics, the Joker has been interpreted as an archetypal trickster , displaying talents for cunning intelligence, social engineering, pranks, theatricality, and idiomatic humor.
Like the trickster, the Joker alternates between malicious violence and clever, harmless whimsy. The trickster is simultaneously subhuman and superhuman, a being that indicates a lack of unity in body and mind.
Rather than the typical anarchist interpretation, others have analysed the character as a Marxist opposite to Batman's capitalist , arguing that anarchism requires the rejection of all authority in favor of uncontrolled freedom.
Ryan Litsey described the Joker as an example of a " Nietzschean Superman ," arguing that a fundamental aspect of Friedrich Nietzsche 's Superman , the "will to power," is exemplified in all of the Joker's actions, providing a master morality to Batman's slave morality.
The Joker's controlling and abusive relationship with Harley Quinn has been analyzed as a means of the Joker reinforcing his own belief in his power in a world where he may be killed or neutralized by another villain or Batman.
Harley's co-creator, Paul Dini, describes their relationship as Harley being someone who makes the Joker feel better about himself, and who can do the work that he does not want to do himself.
The Joker is considered one of the most-recognizable and iconic fictional characters in popular culture,    one of the best comic villains, and one of the greatest villains of all time.
These debates weigh the positive stopping the Joker permanently against its effect on Batman's character and the possibility that he might begin killing all criminals.
The Joker's popularity and his role as Batman's enemy has involved the character in most Batman -related media, from television to video games.
The Joker has appeared in a variety of media, including television series, animated and live-action films.
WorldCat a catalog of libraries in countries records over productions featuring the Joker as a subject, including films, books, and video games,  and Batman films featuring the character are typically the most successful.
The role was a defining performance in Nicholson's career and was considered to overshadow Batman's, with film critic Roger Ebert saying that the audience must sometimes remind themselves not to root for the Joker.
Voiced by Mark Hamill , the Joker retained the darker tone of the comics in stories acceptable for young children. After Christopher Nolan 's successful Batman film reboot, Batman Begins , which ended with a teaser for the Joker 's involvement in a sequel, the character appeared in 's The Dark Knight , played by Heath Ledger as an avatar of anarchy and chaos.
The film received critical acclaim for Phoenix's performance, and criticism for its portrayal of mental illness and violence.
The Joker has also been featured in video games. Hamill returned to voice the character in 's critically acclaimed Batman: Arkham Asylum , its equally praised sequel Batman: Arkham City and the multiplayer DC Universe Online.
From Wikipedia, the free encyclopedia. Redirected from Joker comics. For other characters or uses of The Joker, see Joker.
Fictional character in the DC Universe. Injustice League Injustice Gang. Veidt's grinning visage inspired the Joker design. That doesn't seem to matter—just how he is now.
I never intended to give a reason for his appearance. We discussed that and Bill [Finger] and I never wanted to change it at that time.
I thought—and he agreed—that it takes away some of the essential mystery. Main article: Alternative versions of Joker.
See also: List of Batman Family enemies. Main article: Joker in other media. Mark Hamill has voiced the Joker in animation and video games since , and Heath Ledger won a posthumous Academy Award for his interpretation of the character in 's The Dark Knight.
Joaquin Phoenix won an Academy Award for his interpretation of the character in 's Joker. MTV News. New York City: Viacom.
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By , the Joker was indisputably one of the most dangerous and insane villains in DC's entire universe. This is evidenced in the three-issue Underworld Unleashed , in which Flash-nemesis the Trickster said, 'When super-villains want to scare each other, they tell Joker stories.
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